Brand Identity Standards — Radio Free Europe / Radio Liberty

Welcome to the Radio Free Europe/Radio Liberty Brand Identity Standards website. Here you can find all visual elements that make our brand unique, and how to properly adhere to its use. Establishing and implementing consistent and effective brand identity standards is crucial to building trust and credibility with our audience.

1.Brandmark

1.1 Primary Brandmark

The primary brandmark consists of two elements 1) the torch and 2) the logotype (RFE/RL's English Language brandmark is shown below). These two elements should always appear together. However, there are a few exceptions that are mentioned later (see Avatar).

This brandmark was designed with aspects such as spacing, proportion and orientation in mind and should never be typeset, recreated, or altered in any way other than displayed here.

Please note > In use cases where the maximum height of the brandmark is less than 14 mm / 40px, the compact brandmark must be used.

1.2 Compact Brandmark

The compact brandmark is an alternative to the primary brandmark and must be used when the height space is less than 14 mm / 40px. It has a larger logotype (font size) in proportion to the torch which aids in legibility.

Brandmark Files

What's Inside?

Primary brandmark for Radio Free Europe / Radio Liberty (English Service)
Compact brandmark for Radio Free Europe / Radio Liberty (English Service)

Need to use our graphic elements and not sure which file to use? No problem, here is a little info to help.

For print

If the project you are creating is to be printed (poster, stationary, magazine, brochure, textile, billboard, etc.) then you will want to use a file in CMYK color format. This four-color format mixes Cyan, Magenta, Yellow, and Key (black) inks during the print process to create a range of colors.

Choose: Color mode: CMYK, Download Package: AI or EPS

For Web

If the project you are creating is for web/ digital use (website, mobile applications, tv, etc.) then you will want to use a file in RGB color format. RGB is an additive color model of combining red, green, and blue to create a variety of colors. *PNGs are raster graphic files, so cannot be enlarged without losing resolution. If you need a larger image than the PNG to be used for web, either open the PDF or AI file in your vector graphics editor.

Choose: Color mode: RGB, File Types: AI, PDF, or PNG

In the download packages you will find four main file types:

AI ― Adobe Illustrator vector

An AI document is a vector file type, which can be resized and enlarged infinitely without loosing resolution, unlike pixel-based graphics. A vector file is a raw source of the graphic, created out of outlined shapes and vector paths. AI files are compatible with the Adobe Illustrator program only and can be found in CMYK and RGB color modes.
Best use: In Adobe Illustrator, to scale or enlarge vector art without loss of resolution. CMYK should be used for print layouts, and RGB for creating web graphics.

PDF ― Adobe Illustrator vector

Although PDFs are most widely used for presenting and exchanging documents (since they don’t require specific software or hardware to display), PDFs also maintain line and vector art so that items can be resized and enlarged without loss of quality if opened in a vector graphics editor.
Best use: To preview files, to scale or enlarge vector art in vector graphic editor. CMYK should be used for print layouts, and RGB for creating web graphics.

PNG ― Transparent bitmaps

A PNG is a raster graphic file type (pixel-based) and therefore looses quality if you scale to enlarge it. PNGs can preserve high resolution if used at its original size or scaled smaller. Unlike other raster graphic file types, PNGs support alpha transparent backgrounds, which enable elements to be overlaid on top of colored backgrounds or images without a white bounding box.
Best use: RGB Web elements with a transparent background (icons, logos on top of images, etc.) or which don’t require enlarging the element from its original size.

EPS ― Vector files

An EPS document is a vector file type, similar to AI, which is not only compatible with Adobe Illustrator, but with other vector graphic editors (Corel Draw, Adobe InDesign, Adobe Acrobat, etc.). There it has ultimate flexibility for increasing size, while maintaining resolution.
Best use:In a vector graphic editor, to scale or enlarge vector art without loss of resolution. CMYK should be used for print layouts, and RGB for creating web graphics.

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1.3 Service Brandmarks

The English Service brandmark with the logotype Radio Free Europe/ Radio Liberty must be used when representing the organization as a whole. However, there are separate language service brandmarks that should be used when representing a specific RFE/RL language service.

All guidelines mentioned for the English Service primary brandmark also apply to all language service brandmarks.

1.3.1 Services with Left-To-Right Language

Armenian Service

Armenian Service (Russian language)

Azeri Service

Azeri Service (Russian language)

Balkan Service

Belarus Service

Bulgarian Service

Persian Service (Radio Farda English)

Gandhara Service

Georgian Service

Georgian Service (Russian language)

Hungarian Service

Kazakh Service

Kazakh Service (Russian language)

Kosovo Unit

Crimean Service (Russian language)

Crimean Service (Tatar language)

Crimean Service (Ukrainian language)

Kyrgyz Service

Kyrgyz Service (Russian language)

Macedonian Service

Moldovan Service

Turkmen Service (Russian language)

Romanian Service

Russian Service

North Caucasus Service (Russian language)

North Caucasus Service (Chechen language)

Sever Realii

Siberian Service

Tajik Service

Tajik Service (Russian language)

Tatar Service

Tatar Service (Russian language)

Turkmen Service

Turkmen Service(Russian language)

Ukrainian Service

Uzbek Service

Uzbek Service (Russian language)

1.3.2 Services with Right-To-Left Language

For service sites with text which reads from right-to-left, the service brandmarks appear with the torch on the right hand side of the logotype and should be aligned to the right. All other guidelines apply, including the exclusion zone. Never horizontally flip the orientation of the torch. Always use the approved brandmarks provided by the design department.

Persian Service (Radio Farda)

Afghan Service(Pashto languge)

Afghan Service (Dari languge)

Pakistani Service

1.4 Exclusion Zone

In order for all elements of the primary brandmark to be visible and legible, it must be placed with the appropriate amount of white space around it. This area is known as the ‘exclusion zone’. The example below shows the amount of space needed from the edge of the torch element to the end of the logotype. When two brandmarks are placed next to one another, the exclusion zone is doubled (30% total).

Primary Brandmark

Compact brandmark

Please note > The exclusion zone is 15% the size of the highest element in brandmark (torch). For example: A brandmark with the height of 100px will have an exclusion zone of 15 px.

Do not use the brandmark without an exclusion zone!

1.5 Avatar

An avatar can be used where there is insufficient space to use the primary or compact brandmark. It must be accompanied by a service name in the text somewhere on the page for context/reference.

The Avatar can be used in the following cases:

Social media profile
Mobile apps

1.5.1 Avatar Exclusion Zone

The same rule applies. The exclusion zone is 15% the size of the torch.

Avatar Files

What's Inside?

Orange avatar on white background (universal for all services)
White Avatar on orange background (universal for all services)

1.6 Color Variants

The primary brandmark consists of the orange torch and gray logotype. If the primary brandmark cannot be used, there are several alternative options, including white, reversed, and black versions.

1.6.1 Primary Color Variant

Torch must be in
RFE/RL Orange – Base Color

PAN	158 C
HEX	#EA6903
RGB	234, 105, 3
CMYK	4, 72, 100, 0

Logotype must be in
RFE/RL Gray – Base Color

PAN	431 C
HEX	#5B6770
RGB	91, 103, 112
CMYK	19, 8, 0, 56

1.6.2 Allowed Color Variants

White Brandmark

Full white is used on gray, black or orange background only. For specifics, see Background Usages.

Reversed Brandmark

Orange torch and white logotype is an alternative option for dark gray and black background.

Black Brandmark

For B/W printing only. Do NOT use on any color background.

1.7 Background Usages

It is essential for the brandmark to maintain legibility by having high contrast with the background, therefore we have created a scale to follow.

The primary brandmark is used only on white and up to a 30% black background.

10%

20%

30%

On a 40% to 100% black background, use the white brandmark option.

40%

50%

60%

70%

80%

90%

100%

1.8 Brandmark Misuse

The brandmark should never be recreated, recolored, distorted, or reorganized in any way. The correct use of the brandmark is specified in the previous pages. See the examples below of incorrect ways to use the primary/compact brandmarks and avatar. These rules also apply to all of the language service brandmarks.

✖

The torch should never appear on the right of the service logotype (except for right-to-left brandmarks).

✖

Do not recreate the logotype using a random font.

✖

The brandmark should always be accompanied by the torch. The logotype should never stand on its own.

✖

The torch should only be RFE/RL orange, white on an orange background or black.

✖

Never horizontally flip the torch for any reason.

✖

Do not place a border or box around the torch or brandmark.

✖

Do not change the orientation of the logotype to fit on one line.

✖

The brandmark should never be placed transparently on a dark background as this impairs visibility.

✖

Do not change the proportional size of the torch in comparison to the logotype, or overlay the logotype on top of the torch.

✖

Do not use dark drop shadows, outlines, or an outer glow behind or around the brandmark.

✖

Do not duplicate the torch and group them together in various sizes.

✖

Never use the black brandmark on a colored background. The black brandmark should be only used on white for B/W printing only.

✖

Do not change the proportion of the torch to the logotype.

✖

Do not add a colored and underlined url link underneath the logotype.

✖

Do not tilt the brandmark to any degree.

✖

Do not change the size of just one line of the brandmark or change the orientation.

✖

Do not stretch, squeeze, or distort the brandmark.

✖

Do not place the brandmarks side by side without doubling the exlusion zone.

1.9 Use on Image

The use of the brandmark on photographs can by tricky. In order to protect the brand and relay the message of the image, both elements need carefull placement. Not only should the exclusion zone apply, but the most visible version of the brandmark should be placed in an area of the image where it is legible.

✔

The example above shows the brandmark placed in an area where there is high contrast so it is easily legible and not competing with elements in the background.

✔

If the image is busy and has no “safe” area, then use a separate solid background (see Background usages).

1.9.1 Use on Image Misuse

✖

Brandmark must have high contrast and must not merge with the surrounding photo.

✖

Brandmark should be placed in top or bottom, left or right, should never be placed randomly or centered.

✖

Brandmark must not cover important features in the image (on face) or use an incorrect version of the brandmark (see Brandmark colors).

✖

Brandmarks cannot overlap an author’s mark (photo credit, caption). This breaks the “exclusion zone” rule.

2. Supergraphic

The RFE/RL supergraphic consists of the torch element properly scaled, cropped and positioned for use as a background graphic element. It is used to unify products for print materials, web applications, video, PowerPoint presentations, and other digital applications.

The brandmark should always accompany the supergraphic, it may never appear on its own.
Never manipulate an individual piece of the element or use only a very small portion of the supergraphic so it is no longer recognizable as the torch element.

The supergraphic crop can slightly vary depending on dimensions of the artboard. For guidance, find below four recommended applications of the supergraphic in both landscape and portrait.

2.1 Primary Left

Torch element is cropped from the left side and displays flames and part of the torch handle. Text should be centered or on the right.

Used for: More official use on certificates, documents, brochures, etc.

✔

Portrait

✔

Landscape

Supergraphic: Primary Left Files

What's Inside?

Supergraphic in three color variants 1) 15% white supergraphic on primary orange background, 2) 15% black supergraphic on white background and 3) 15% orange supergraphic on white background.

2.2 Primary Right

Torch element is cropped from the right side and displays flames and part of the torch handle. Text should be centered or on the left.

Used for: More official use on certificates, documents, brochures, etc.

✔

Portrait

✔

Landscape

Supergraphic: Primary Right Files

What's Inside?

Supergraphic in three color variants 1) 15% white supergraphic on primary orange background, 2) 15% black supergraphic on white background and 3) 15% orange supergraphic on white background.

2.3 Secondary Left

Torch element is cropped from the left side and displays a cut of the flames.

Used for: More artistic element for web and print. Better for square, landscape, or compact layouts with minimal text.

✔

Portrait

✔

Landscape

Supergraphic: Secondary Left Files

What's Inside?

Supergraphic in three color variants 1) 15% white supergraphic on primary orange background, 2) 15% black supergraphic on white background and 3) 15% orange supergraphic on white background.

2.4 Secondary Right

Torch element is cropped from the right side and displays a cut of the flames.

Used for: More artistic element for web and print. Better for square, landscape, or compact layouts with minimal text.

✔

Portrait

✔

Landscape

Supergraphic: Secondary Right Files

What's Inside?

Supergraphic in three color variants 1) 15% white supergraphic on primary orange background, 2) 15% black supergraphic on white background and 3) 15% orange supergraphic on white background.

2.5 Alternative Color Options for the Supergraphic

Please only use a variant shown below.

✔

15% white supergraphic on black background.

✔

15% white supergraphic on gray background.

✔

15% white supergraphic on primary orange background.

✔

15% black supergraphic on white background.

Please note > When possible, frame the text with the supergraphic, do not overlay.

If space is an issue, avoid covering the supergraphic as much as possible. Do not center the text on top of the supergraphic.

2.6 Supergraphic Misuse

The supergraphic should always be used tastefully, minimally, and according to examples shown. Below are incorrect ways to use the super graphic and must be avoided.

✖

Supergraphic should always display enough of the torch element so that it is recognizable.

✖

Do not rotate the supergraphic in any way.

✖

Do not stretch or manipulate the color of the supergraphic or cover with text.

✖

The supergraphic is a crop of the torch, do not use the full torch.

✖

The supergraphic must be used at 15% color, never at 100%.

✖

The scale of supergraphic should be at least 30% of the width of the canvas.

✖

The scale of supergraphic should not be 100% of the width of the canvas.

✖

Do not use a random crop of the supergrapic or center without bleeding edges.

3. Color Palette

Color is an essential element to strong branding. It distinguishes, defines and characterizes brand identity. Below are RFE/RL’s Primary and Extended Color Palettes, which show the base color as well as the 20% to 80% gradients.

3.1 Primary Palette

The Primary Palette consists of two colors: RFE/RL Orange and RFE/RL Gray. RFE/RL Orange is the core of our brand identity and should appear whenever possible to immediately identify our brand.

RFE/RL Orange

80%

HEX	#FBE1CD
RGB	251, 225, 205
CMYK	0, 10, 18, 2

60%

HEX	#F7C39A
RGB	247, 195, 154
CMYK	0, 21, 38, 3

40%

HEX	#F2A568
RGB	242, 165, 104
CMYK	0, 32, 57, 5

20%

HEX	#EE8735
RGB	238, 135, 53
CMYK	0, 43, 78, 7

Base Color

PAN	158 C
HEX	#EA6903
RGB	234, 105, 3
CMYK	4, 72, 100, 0

20%

HEX	#BB5402
RGB	187, 84, 2
CMYK	0, 55, 99, 27

40%

HEX	#8C3F02
RGB	140, 63, 2
CMYK	0, 55, 99, 45

60%

HEX	#5E2A01
RGB	94, 42, 1
CMYK	0, 55, 99, 63

80%

HEX	#2F1501
RGB	47, 21, 1
CMYK	0, 55, 98, 82

RFE/RL Gray

80%

HEX	#DEE1E2
RGB	222, 225, 226
CMYK	2, 0, 0, 11

60%

HEX	#BDC2C6
RGB	189, 194, 198
CMYK	5, 2, 0, 22

40%

HEX	#9DA4A9
RGB	157, 164, 169
CMYK	7, 3, 0, 34

20%

HEX	#7C858D
RGB	124, 133, 141
CMYK	12, 6, 0, 45

Base Color

PAN	431 C
HEX	#5B6770
RGB	91, 103, 112
CMYK	19, 8, 0, 56

20%

HEX	#49525A
RGB	73, 82, 90
CMYK	19, 9, 0, 65

40%

HEX	#373E43
RGB	55, 62, 67
CMYK	18, 7, 0, 74

60%

HEX	#24292D
RGB	36, 41, 45
CMYK	20, 9, 0, 82

80%

HEX	#121516
RGB	18, 21, 22
CMYK	18, 5, 0, 91

3.2 Extended Palette

The extended palette is a comprehensive set of colors to offer flexibility in designing both print and digital materials. These colors are to be used as a compliment to the primary palette, so take care to use sparingly and in tandem with RFE/RL orange and RFE/RL gray.

Green

80%

HEX	#CCEADF
RGB	204, 234, 223
CMYK	13, 0, 5, 8

60%

HEX	#99D5BF
RGB	153, 213, 191
CMYK	28, 0, 10, 16

40%

HEX	#66C09E
RGB	102, 192, 158
CMYK	47, 0, 18, 25

20%

HEX	#33AB7E
RGB	51, 171, 126
CMYK	70, 0, 26, 33

Base Color

PAN	340 C
HEX	#00965E
RGB	0, 150, 94
CMYK	100, 0, 37, 41

20%

HEX	#00784B
RGB	0, 120, 75
CMYK	100, 0, 38, 53

40%

HEX	#005A38
RGB	0, 90, 56
CMYK	100, 0, 38, 65

60%

HEX	#003C26
RGB	0, 60, 38
CMYK	100, 0, 37, 76

80%

HEX	#001E13
RGB	0, 30, 19
CMYK	100, 0, 37, 88

Lime

80%

HEX	#EDF7DF
RGB	237, 247, 223
CMYK	4, 0, 10, 3

60%

HEX	#DBEFBF
RGB	219, 239, 191
CMYK	8, 0, 20, 6

40%

HEX	#C8E69E
RGB	200, 230, 158
CMYK	13, 0, 31, 10

20%

HEX	#B6DE7E
RGB	182, 222, 126
CMYK	18, 0, 43, 13

Base Color

PAN	367 C
HEX	#A4D65E
RGB	164, 214, 94
CMYK	23, 0, 56, 16

20%

HEX	#83AB4B
RGB	131, 171, 75
CMYK	23, 0, 56, 33

40%

HEX	#628038
RGB	98, 128, 56
CMYK	23, 0, 56, 50

60%

HEX	#425626
RGB	66, 86, 38
CMYK	23, 0, 56, 66

80%

HEX	#212B13
RGB	33, 43, 19
CMYK	23, 0, 56, 83

Purple

80%

HEX	#E8DAEB
RGB	232, 218, 235
CMYK	1, 7, 0, 8

60%

HEX	#D1B5D6
RGB	209, 181, 214
CMYK	2, 15, 0, 16

40%

HEX	#BA91C2
RGB	186, 145, 194
CMYK	4, 25, 0, 24

20%

HEX	#A36CAD
RGB	163, 108, 173
CMYK	6, 38, 0, 32

Base Color

PAN	258 C
HEX	#8C4799
RGB	140, 71, 153
CMYK	8, 54, 0, 40

20%

HEX	#70397A
RGB	112, 57, 122
CMYK	8, 53, 0, 52

40%

HEX	#542B5C
RGB	84, 43, 92
CMYK	9, 53, 0, 64

60%

HEX	#381C3D
RGB	56, 28, 61
CMYK	8, 54, 0, 76

80%

HEX	#1C0E1F
RGB	28, 14, 31
CMYK	10, 55, 0, 88

Gray

80%

HEX	#ECEEEF
RGB	236, 238, 239
CMYK	1, 0, 0, 6

60%

HEX	#DADDDE
RGB	218, 221, 222
CMYK	2, 0, 0, 13

40%

HEX	#C7CCCE
RGB	199, 204, 206
CMYK	3, 1, 0, 19

20%

HEX	#B5BBBD
RGB	181, 187, 189
CMYK	4, 1, 0, 26

Base Color

PAN	429 C
HEX	#A2AAAD
RGB	162, 170, 173
CMYK	6, 2, 0, 32

20%

HEX	#82888A
RGB	130, 136, 138
CMYK	6, 1, 0, 46

40%

HEX	#616668
RGB	97, 102, 104
CMYK	7, 2, 0, 59

60%

HEX	#414445
RGB	65, 68, 69
CMYK	6, 1, 0, 73

80%

HEX	#202223
RGB	32, 34, 35
CMYK	9, 3, 0, 86

Brown

80%

HEX	#E4E2E0
RGB	228, 226, 224
CMYK	0, 1, 2, 11

60%

HEX	#C9C5C1
RGB	201, 197, 193
CMYK	0, 2, 4, 21

40%

HEX	#ADA8A2
RGB	173, 168, 162
CMYK	0, 3, 6, 32

20%

HEX	#928B83
RGB	146, 139, 131
CMYK	0, 5, 10, 43

Base Color

PAN	404 C
HEX	#776E64
RGB	119, 110, 100
CMYK	0, 8, 16, 53

20%

HEX	#5F5850
RGB	95, 88, 80
CMYK	0, 7, 16, 63

40%

HEX	#47423C
RGB	71, 66, 60
CMYK	0, 7, 15, 72

60%

HEX	#302C28
RGB	48, 44, 40
CMYK	0, 8, 17, 81

80%

HEX	#181614
RGB	24, 22, 20
CMYK	0, 8, 17, 91

Yellow

80%

HEX	#FFF4D5
RGB	255, 244, 213
CMYK	0, 4, 16, 0

60%

HEX	#FFE9AB
RGB	255, 233, 171
CMYK	0, 9, 33, 0

40%

HEX	#FFDD80
RGB	255, 221, 128
CMYK	0, 13, 50, 0

20%

HEX	#FFD256
RGB	255, 210, 86
CMYK	0, 18, 66, 0

Base Color

PAN	123 C
HEX	#FFC72C
RGB	255, 199, 44
CMYK	0, 22, 83, 0

20%

HEX	#CC9F23
RGB	204, 159, 35
CMYK	0, 22, 83, 20

40%

HEX	#99771A
RGB	153, 119, 26
CMYK	0, 22, 83, 40

60%

HEX	#665012
RGB	102, 80, 18
CMYK	0, 22, 82, 60

80%

HEX	#332809
RGB	51, 40, 9
CMYK	0, 22, 82, 80

Red

80%

HEX	#F6D3D6
RGB	246, 211, 214
CMYK	0, 14, 13, 4

60%

HEX	#EDA7AC
RGB	237, 167, 172
CMYK	0, 30, 27, 7

40%

HEX	#E37C83
RGB	227, 124, 131
CMYK	0, 45, 42, 11

20%

HEX	#DA5059
RGB	218, 80, 89
CMYK	0, 63, 59, 15

Base Color

PAN	1795 C
HEX	#D12430
RGB	209, 36, 48
CMYK	0, 83, 77, 18

20%

HEX	#A71D26
RGB	167, 29, 38
CMYK	0, 83, 77, 35

40%

HEX	#7D161D
RGB	125, 22, 29
CMYK	0, 82, 77, 51

60%

HEX	#540E13
RGB	84, 14, 19
CMYK	0, 83, 77, 67

80%

HEX	#2A070A
RGB	42, 7, 10
CMYK	0, 83, 76, 84

Blue

80%

HEX	#CCE5F1
RGB	204, 229, 241
CMYK	15, 5, 0, 5

60%

HEX	#99CBE3
RGB	153, 203, 227
CMYK	33, 11, 0, 11

40%

HEX	#66B1D6
RGB	102, 177, 214
CMYK	52, 17, 0, 16

20%

HEX	#3397C8
RGB	51, 151, 200
CMYK	75, 25, 0, 22

Base Color

PAN	7461 C
HEX	#007DBA
RGB	0, 125, 186
CMYK	100, 33, 0, 27

20%

HEX	#006495
RGB	0, 100, 149
CMYK	100, 33, 0, 42

40%

HEX	#004B70
RGB	0, 75, 112
CMYK	100, 33, 0, 56

60%

HEX	#00324A
RGB	0, 50, 74
CMYK	100, 32, 0, 71

80%

HEX	#001925
RGB	0, 25, 37
CMYK	100, 32, 0, 85

Turquois

80%

HEX	#D8EFF4
RGB	216, 239, 244
CMYK	11, 2, 0, 4

60%

HEX	#B2E0E9
RGB	178, 224, 233
CMYK	24, 4, 0, 9

40%

HEX	#8BD0DE
RGB	139, 208, 222
CMYK	37, 6, 0, 13

20%

HEX	#65C1D3
RGB	101, 193, 211
CMYK	52, 9, 0, 17

Base Color

PAN	631 C
HEX	#3EB1C8
RGB	62, 177, 200
CMYK	69, 12, 0, 22

20%

HEX	#328EA0
RGB	50, 142, 160
CMYK	69, 11, 0, 37

40%

HEX	#256A78
RGB	37, 106, 120
CMYK	69, 12, 0, 53

60%

HEX	#194750
RGB	25, 71, 80
CMYK	69, 11, 0, 69

80%

HEX	#0C2328
RGB	12, 35, 40
CMYK	70, 13, 0, 84

4. Typography

The correct use of typography helps to unify and strengthen brand identity. By using the styles within the font family, it provides unified contrast and hierarchy to content. Skolar and Skolar Sans are the primary font families to be used in RFE/RL's branding materials and design elements (print materials, web banners, web advertisements, etc.). Unfortunately, not all RFE/RL languages are available within the Skolar and Skolar Sans font family. In these cases, we have identified alternative font families, outlined below.

4.1 Latin and Cyrillic Scripts

4.1.1 Skolar

Used for latin or cyrillic language services: Afghan ENG, Armenian RU, Azeri, Azeri RU, Balkan, Belarus, Crimean UA, Crimean RU, Crimean TA, English, Georgian RU, Hungarian, Kazakh, Kazakh RU, Kosovo, Kyrgyz, Kyrgyz RU, Macedonian, Moldovan, North Caucasus AV, North Caucasus CH, North Caucasus CI, Romanian, Russian, Tajik, Tajik RU, Tatar Bashkir, Turkmen, Ukrainian and Uzbek.